“Can you see me now?”: Archaeological sensibility breaking the “fourth wall” of the analog:digital divide
2009 in V. O. Jorge & J. Thomas (eds.) Archaeology and the politics of vision in a post-modern context. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 118-46. Read it here. Read the intervention debrief here.
‘Curating collaborative heritages: Dissonance, relational aesthetics and some lessons from inner-city Dublin’
Delivered at the 2009 Meeting of the European Association of Archaeologists Heritage spaces are often assumed to be ‘from the past’ or ‘just about the past’. Heritage is assumed to be a ‘stoppage’ of time. The choice to create ‘heritage’ is, however, a contemporary decision requiring collaboration and social partnership. Through a recalibration of temporal […]
Iman: Finding faith in Ireland
2009 in Iman: Photographs by Noel Bowler, Dun Laoghaire-Rathdown County Council Arts Office and Zero-G. Read it here. View the catalogue here.
Art & Archaeology
2008 in P. Cooke, A. Feldman, C. O’Donnell, T. O’Keeffe, S. Tuck, I. Russell and P. Ryan Placing Voices, Voicing Places: Archaeology in Inner-Cty Dublin: Spatialitiy, Materiality and Identity-Formation among Dublin’s Working Class and Immigrant Communities, Hertiage Council of Ireland INSTAR Report. Read it here
Placing Voices, Voicing Places: Archaeology in Inner-Cty Dublin: Spatialitiy, Materiality and Identity-Formation among Dublin’s Working Class and Immigrant Communities
2008 Hertiage Council of Ireland INSTAR Report. (With Pat Cooke, Alice Feldman, Cormac O’Donnell, Tadhg O’Keeffe, Sarah Tuck and Patrick Ryan) Read it here
I’ve seen Banksy. Have you?
2007 Archaeolog <http://traumwerk.stanford.edu/archaeolog/2007/10/ive_seen_banksy_have_you.html#more>
Now, I can see you. The politics of presence and an intervention by Ian Russell into ‘Can you see me now?’ by Blast Theory and the Mixed Reality Lab at the University of Nottingham
2007 Critical Studies in New Media, Stanford Humanities Lab <http://humanitieslab.stanford.edu/NewMedia/278>.