Ayun Halliday & Betsey Biggs 2012 “How can we keep pre-digital communication’s most pleasurable rituals from becoming extinct?” in Bettery Magazine, November. Read it here.
A wonderfully fine example of a portable nostalgia machine. Dutch design masters HEYHEYHEY have done it again, inventing amazing things to help us encounter and enjoy the world around us. Check out this and other of their wonderfully inspiring projects here: http://www.heyheyhey.nl/ —— Early 2012, HEYHEYHEY had some time to spare and they felt the need […]
Any words I might offer would only diminish how amazing this tradition is… From Matthew Allard: Japan has always been on the forefront of cutting edge robotics. Its roots can be traced back 200-300 years during the Edo period when skilled craftsmen created automata (self-operating machines). Using nothing more than pulleys and weights they were […]
From the Winter 2012 Symposium held at Brown University. More information here.
Article source: http://urbanheritages.wordpress.com/2012/02/09/archaeology-and-the-homeless-community-turbo-island-bristol/
A Discussion of International Approaches Heritage professionals from around the world converge on Brown’s campus for a day of conversation. Cape Town – Dublin – Hong Kong – Istanbul – Providence – York What is heritage, and what forms does it take in an urban environment? How are creative practices affected by, and how do they […]
A Howling Mob Approach to History The Howling Mob Society (HMS) is a collaboration of artists, activists and historians committed to unearthing stories neglected by mainstream history. HMS brings increased visibility to the radical history of Pittsburgh, PA through grassroots artistic practice. Our current focus is The Great Railroad Strike of 1877, a national uprising […]
I just happened upon a rather intriguing public art intervention project by artist Norm Magnusson. The “I-75 Project” found Magnusson installing industry grade public historical markers along Interstate 75. While the form and aesthetic of the markers are consistent with traditional, institutional, “authorized” markers, the texts Magnusson has written for the markers exploit this familiarity […]
REPOhistory existed from 1989-2000 REPOhistory began in Manhattan in 1989 as a study group of artists, scholars, teachers, and writers focused on the relationship of history to contemporary society. It grew into a forum for developing public art projects based on history and a platform for creating them. For the past ten years REPOhistory’s goal […]